미스의 건축에서 재현된 꼴라쥬의 개념-바르셀로나 파빌리온과 투겐타트를 중심으로
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- 2015.03.24
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서지정보
ㆍ발행기관 : 한국주거학회
ㆍ수록지정보 : 한국주거학회논문집 / 16권 / 4호
ㆍ저자명 : 조승구, 이병욱
목차
1.서론
2.회화에서 꼴라쥬의 개념과 전개
3.꼴라쥬와 미스의 건축
4.결론
참고문헌
한국어 초록
The cubist collagists proposed radically different ideas about the nature of order, and about the nature of artistic space. The collage substitutes an order which is constructed on relationships for the more rigid order of traditional art. Collage presents new theories of communication with the viewer, of relationships and of signs. This paper is an investigation of these ideas and how they have been applied to Mies Van der Rohe's making of architecture: Barcelona Pavilion and Tugendhat house. Collage in Mies' works has been executed in a limited manner. In Mies‘ works, one can begin to recognize some basic traits of collage. Textures, forms, and fragments begin to interact with each other and exploit those principles of contrast and juxtaposition that give collage a value as an expressive medium. Many of the formal aspects of collage are readily apparent in much of the work which we see around use today, but we should look at the attitudes and beliefs upon which collage is built for a further understanding of how its principles can be applied. Keywords : collage, order, relationship, communication, multiplicity주 요 어 : 꼴라쥬, 질서, 관계, 대화, 다중성
참고 자료
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