Ceramic Art in the New Millennium
* 본 문서는 배포용으로 복사 및 편집이 불가합니다.
서지정보
ㆍ발행기관 : 한국박물관학회
ㆍ수록지정보 : 박물관학보
ㆍ저자명 : Jin Joo Myung
ㆍ저자명 : Jin Joo Myung
목차
Ⅰ. Introduction: Arts, Crafts, and DesignA. People' s Current Perceptions of Arts and Crafts
Ⅱ. Ceramic Art as Lifestyle & Work Style
A. Contemporary ceramic art from infancy to puberty
B. Position of ceramics in the world of fine arts
Ⅲ. Current State of and Outlook for Ceramic Art
A. The evolution and status of ceramic art in art education
Ⅳ. Challenges and opportunities in the ceramic art marke
A. Auction Houses
B. Art Fairs: SOFA, Palm Beach, and Art Miami
C. Galleries and pricing
D. Museurns: The validation of ceramics as art through museum exhibitions
E. Shops selling signed works by ceramic artists
F. Media coverage and influence
G. Dealers
H. Collectors
Ⅴ. Conclusion
Appendix B: Survey Data
Bibliography
한국어 초록
As art, craft, or design, ceramics is a commodity in the art marketplace. However, in this marketthe question of the value of the medium as an art form is crucial. For ceramics to achieve a strongposition in the market, perceptions of the value of ceramic art need to be changed so that it canemerge as a form of sculpture on an equal footing with other forms of arstic expression. Ceramicart has a long and glorious history in civilization, yet art can be forgotten or slip from the artisticmainstream when it is not kept in the forefront of public attention.This thesis explores whether there are objective criteria for valuing art according to its form orgenre and where ceramics and other so-called crafts stand on this continuum. It also discusses thehistory of modem ceramics, beginning with the Arts and Crafts Movement of the mid nineteenthcentury, and discusses the status of ceramics in the art market today. Finally, the thesis suggeststhat the time is right for a third arts and crafts movement and makes specific suggestions for howceramic artists, dealers, and collectors can irnprove the perception and market positionn of ceramicart.영어 초록
As art, craft, or design, ceramics is a commodity in the art marketplace. However, in this marketthe question of the value of the medium as an art form is crucial. For ceramics to achieve a strong
position in the market, perceptions of the value of ceramic art need to be changed so that it can
emerge as a form of sculpture on an equal footing with other forms of arstic expression. Ceramic
art has a long and glorious history in civilization, yet art can be forgotten or slip from the artistic
mainstream when it is not kept in the forefront of public attention.
This thesis explores whether there are objective criteria for valuing art according to its form or
genre and where ceramics and other so-called crafts stand on this continuum. It also discusses the
history of modem ceramics, beginning with the Arts and Crafts Movement of the mid nineteenth
century, and discusses the status of ceramics in the art market today. Finally, the thesis suggests
that the time is right for a third arts and crafts movement and makes specific suggestions for how
ceramic artists, dealers, and collectors can irnprove the perception and market positionn of ceramic
art.
참고 자료
없음"박물관학보"의 다른 논문
- 『사립미술관의 현실과 과제』에 대한 토론문 -결론에 대한 추가 및 세부 제언-3페이지
- 『용산 새 국립박물관의 성과와 과제』에 대한 토론3페이지
- 수집 2세대의 박물관 전시21페이지
- 한국의 박물관, 현실과 과제16페이지
- 사립(私立)박물관을 생각한다9페이지
- 용산시대 국립중앙박물관 기획특별전과 전시콘텐츠 마케팅20페이지
- 강원 영동지역 역사민속계 박물관의 유물관리 개선 방안 연구14페이지
- 국립중앙박물관문화재단의 역할과 ‘극장 용’의 마케팅26페이지
- 스토리텔링을 적용한 박물관 전시 구조에 관한 연구19페이지
- 문화재교육의 프로그래밍 방법론에 관한 연구26페이지