Paul Cezanne의 畵面構造와 繪畵的 意味에 關한 硏究
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서지정보
ㆍ발행기관 : 한국조형교육학회
ㆍ수록지정보 : 조형교육 / 9권
ㆍ저자명 : 吳龍換
ㆍ저자명 : 吳龍換
목차
Ⅰ. 序論Ⅱ. 本論
Ⅲ. 結論
參考文獻
Abstract
영어 초록
The development's principle of the art history oceured altermately and legitimately to existential art of the modern from the primitive age that a tendency of the abstractism or idea-expressionism and the readvent or the natural expressionism.The altermate's development identity in the form of out and in-world, in actual content, it had aspected of the development that in Human-sense basis with the expression tendency each other.
The spirit of humanism's renaissance period expressed that geniusls the creatical power, that is, it has expessed individual character than the of work.
Hegel speaked originality of the work. The work have a meaning inself, it have a abundance that the nev and original work expressed the more, the new of diagram's plastic art replace with the respect of the school academy, it is a negative techinicism ..
The excellent individuality run against the lake of understand or enforcement go across all reason in a admiration us that can explained in itself.
This study discuss exhaustively a plastic character that have a influence to modernism Paul Cezanne(1839~1906) have a excellent individual and original character that re-alluminated a picture structure analysis and pictorical significance.
We have should understanded a impressionism form so as to understand it lived in 19 century close of age Paul Cezanne.
Paul Cezanne used to research for a nature objectly that the spirit has been the optical point and sensation.
This two view based on search of definite in the modernism. He born natural-art-period that conquested a form of umpressionism deal with the ligh and the coulor. In art history, Cezanne was a father of modern picture.
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