[세한도]에 침윤(浸潤)된 미술 치유성

서지정보

ㆍ발행기관 : 한국조형교육학회 ㆍ수록지정보 : 조형교육 / 43권
ㆍ저자명 : 전영자, 박주연

목차

I. 서론
II. 그림 그리기의 자기 치유성과 소통성
III. 세한도의 미술치유적 의미
1. [세한도(歲寒圖)]를 통한 추사 김정희의 삶과 예술관
2. [세한도]의 상징성
IV. 결론
※ 참고문헌
※ ABSTRACT

한국어 초록

현대미술에서 예술가들은 미술을 상처(trauma)에 대한 정신적 치유뿐만 아니라 사회적 측면에서 인간과 환경을 제도가 부정적인 것으로 배제하고 억압해 버리는 부분을 예술작품들이 드러냄으로써, 사회를 더 건강하게 만드는데 기여하였다고 주장하였다(윤정희, 2009). 여기서 치유는 한 개인의 영적, 정신적, 그리고 신체적 질병 또는 불완전한 상태가 전인적으로 건강한 상태로 회복되는 것을 말한다((Petersen, 2000).

영어 초록

Chusa, Kim Jeong-hee(秋史, 金正喜 1786-156) is a great scholar in the field
of poetry writing, calligraphic writing and painting, and a stone monument
inscriptions by searching for truth based on facts. He's in charge of the top
positions, 'Daesaseong(大司成)' in Sungkyunkwan(成均館). He is a literary man
that combined scholarship with the art of the late Joseon(朝鮮).
He is being referred as the most outstanding literary man through his
painting the Saehando(National treasure No.180). In this picture, Chusa
demonstrates rich antique integrity and embodies charm. The dugout mud hut, the
window, the old pine tree and 'the big cone pine trees' on the Saehando are
symbolic for his literary spirit.
In this study, I demonstrated on the healing energy of art through Chusa's
drawing the Saehando for himself the process of self-healing, to finally be
crystallized with his mental state that was went through true, good and beautiful
(眞ㆍ善ㆍ美). The message of the role of healing transcends time and space as a
cultureal communication for both the current and the past.
In conclusion, this study demonstes the self-healing in Saehando. Art has a
self- healing function. Furthermore, this study provides evidence for the healing
function of Art. Implications for this study lie in the analysis of korean painting
rather than foreign paintings.

참고 자료

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