안견의 몽유도원도(夢遊挑源圖)에 표현된 구도와 공간개념의 창신(創新)에 관한 연구

서지정보

ㆍ발행기관 : 한국조형교육학회 ㆍ수록지정보 : 조형교육 / 44권
ㆍ저자명 : 권현희

목차

Ⅰ. 서론
Ⅱ. 안견(安堅)산수화풍의 형성배경
1. 전신론(傳神論)과 의경(意景)개념의 수용
2. 전통수묵산수화에 표현된 회화론과 화법 특성의 계승
Ⅲ. 몽유도원도에 표현된 창신(創新)의 요소
１. 전통구도의 계승과 재창조 된 구도형식
２. 독자적 경물배치로 인한 확대지향 된 공간 개념
Ⅳ. 결론
※참고문헌
※ABSTRACT

한국어 초록

15세기 조선 초기 안견의 산수화 몽유도원도에 표현된 양식은 전대 전통의 산수화양식의 토대위에서 새로운 한국적 양식으로의 창신(創新)을 이룬 것으로 주목할 만한 현상이다. 이는 몽유도원도의 양식특성이 한국적 양식특성의 구도와 공간개념으로 표현되었으며, 전통 양식의 구도와 공간개념을 토대로 전통을 계승, 수용하였지만 재창조된 구도로서 대각선구도와 넓고 확대지향적인 한국적 공간미로 표현되었기 때문이다(안휘준, 2000: 131-132).

영어 초록

Before the Joseon Dynasty era, common landscape paintings drawn with in
black and white were hugely affected from landscape paintings from Buk-song,
China. Because of that, its forms and contents of the landscape paintings before
the Joseon Dynasty period were very similar with Chinese forms of landscape
paintings. However, An-Kyon's style created a unique landscape painting style
from those in traditional forms of painting, which means that he created a new
pattern of landscape painting that is suited in our culture. Especially, An-Kyon's
style of landscape painting showed unique form in composition. Before An-Kyon's
style of painting, all of the landscape paintings appeared as two-dimensional.
However, An-Kyon shedded those old way of paintings but tried to draw
landscape with using diagonal composition. In this way, An-Kyon could draw
landscape paintings in three dimensions.
Through An-Kyon's style of painting, we can estimate position of new
landscape painting pattern, which means creations of new style of painting is
related to existing form. Especially, An-Kyon's painting style was affected from
Buk-song, Nam-song, Kum, and Won-duck, which means that he learned from
each style of painting what he needed to learn. Because An-Kyon made his style
of painting as he learned merits from each painting style, it can be said that
An-Kyon's painting style is reinvention of landscape painting. Since An-Kyon's
painting style appeared, the pattern of the landscape drawing changed in many
times. Like this, An-Kyon's painting form was unique and creative and led to
many new patterns of landscape drawing as it was existed as revolutionary change
in landscape painting's history. Especially, we can see that he was an artist who
was always looking for a new way to draw paintings to express that era, so he
could create a new form of painting of landscape.

참고 자료

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