韓國 近代 專門 書畵敎育의 先導, 書畵美術會
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서지정보
ㆍ발행기관 : 한국미술연구소
ㆍ수록지정보 : 美術史論壇 / 36권
ㆍ저자명 : 김소연
ㆍ저자명 : 김소연
영어 초록
This study is focused on the role and achievement of the Seohwa Misulhoe (書畵美術會 Association of Calligraphy and Painting) formed in the early 20th century as one of the Korea’s first art institutions contributing to the production of distinguished artists and bridging the traditional and modern paintings and calligraphic works. Despite the significant role it played, the institution is today largely related with an outdated, pre-Modern method of learning via imitating old masters.The main discussion deals with the value of the institution in connection with the historical significance of 1910s, conservatism in art circles, conservative reformist nature of its support groups, and comparison between the association and other organizations engaging in palace affairs during the period. Teachers working in the association were called hwasa (畵師 painting masters) and took over some of the functions that had been performed by Dohwaseo (圖畵署 the Royal Art Council), including providing the court with human resources required for, for instance, the publication of uigwe (儀軌 the royal protocols). The situation led the Seohwa Misulhoe members to train themselves to improve the techniques related with various state events, resulting in the maintenance of conservative tradition of instructions.
The study also contains a discussion about the association’s transition from Seohwa Misulwon (書畵美術院 the Painting and Calligraphy Society) and operation through the discovery and research of new materials. The materials include a record about a Japanese who participated in the association’s first graduation in 1914. Other materials used for the discussion of the research activities held in the Seohwa Misulhoe school include a collection of textbooks, the Shanghai-issued painting manuals, and studies made and owned by Yi Yong-geol, a student who attended the institution for the longest period of time until its close.