Marat Assassinated by Jacques-Louis David
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프랑스 혁명 전후, 로맨티시즘과 네오클래시즘이 거의 동시에 발달되었다. 당시, 아마 현재까지도 가장 위대한 정치적 그림이라고 할 수 있는 다비드의 `마라의 죽음`에 대해 그림의 성향과 그 역사적 배경에 대해 고찰한 영문 레포트.목차
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Marat assassinated, or the death of Marat (La mort de Marat) (1793, Oil on canvas, 165 x 128.3) by Jacque-Louis David is considered to be the greatest political painting of the French Revolution. It is currently located in Royal Museum of Fine Arts of Belgium (Musee Royaux des Beaux-arts de Belgique) in Brussels, Belgium. The temperate aesthetic in the paining clearly shows that it is Neoclassicism artwork, but it would be hard to ignore the fact that it also holds a touch of Romanticism; perception of grief, idealization of death, and a methodical composition focusing on the victim and iconographic reminiscence of a Christian Martyr. I will be analyzing critical characters of Romanticism and Neoclassicism, studying the epoch of a social and political upheaval in France, and looking at the influence on Marat assassinated.참고 자료
BibliographyAbidor, Mitch, translated from a contemporary account by Lebois of the muder of Jean-Paul Marat in 1793
http://www.marxists.org/history/france/revolution/marat/assassination.htm
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