Imagism in In a Station of the Metro and “The Red Wheelbarrow”
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- 2011.02.04
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- 1997.01
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영어로 쓰여진 5장 분량의 Imagism in "In a Station of the Metro" and “The Red Wheelbarrow” 레포트입니다.
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Imagism in "In a Station of the Metro" and “The Red Wheelbarrow”
In the early twentieth century, massive changes influence the everyday life of people in cities. The inventions of the automobile, and telephone made shorten distances around the world. The late-nineteenth-century thinkers such as Freud or Karl Marx challenge traditional concepts of truth, and morality. People call this wave of aggressively experimental movement as “modernism” because of emphasis on radical innovation, swept through Europe. Moreover, this movement in 1910s influence to some poets such as Ezra Pound and T.S Eliot, in particular. Their poetic features are defined that emphasis on rupture and on formal invention colors the overall picture of what is new and distinctive in modern poetry as a whole. (Norton, Vol.1).
참고 자료
Hakutani, Yoshinobu. “Ezra Pound, Yone Noguchi, and Imagism.” Modern Philology, Vol.
90, No. 1 (Aug 1992):46-69. JSTOR. The University of Chicago Press. Web. 03 June 2010.
Pound, Ezra, Gaudier-Brzeska: A Memoir. London: John Lane, 1916. Print.
Pound, Ezra. “Iamgism” Poetry 1 March 1913.
Rizzo, Sergio. “Remembering Race: Extra-poetical Contexts and the Racial Other
in ‘The Red Wheelbarrow’.” Journal of Modern Literature 29 1 (Fall 2005): 34-54. Indiana University Press. Web. 05 June 2010.
William, William Carlos. Kora in Hell Tennessee: Lightning Source Inc., 1920. Print.