데이비드 라샤펠 _패러디 연구.pdf
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- 2017.10.21
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목차
1. 서론
1.1. 연구의 배경과 목적
1.2. 연구의 방법과 범위
2. 패러디
2.1. 패러디의 특성에 대한 이해
2.2. 팝아트와 사진의 응용
3. 라샤펠의 사진과 패러디 분석
3.1. 패러디의 유형과 작품분석
3.2. 데이비드 라샤펠의 작품분석
4. 결론
참고문헌
본문내용
Abstract
A parody in the tough modern society is a means to share happiness and is an important methodology to create relevant social criticism at the same time. For these reasons, parody that is found in art or culture, including literature, society, music and film plays a major role of social change and reform.
Pop art is an art movement that emerged in the mid 1950s in Britain and the late 1950s in the United States and dealt a heavy blow to the art world at that time. Its diverse culture and mass communication created the popularity of fine arts. These impacts widely employed aspects of mass culture, such as adverting, comic books and mundane cultural objects. Besides, pop art presented a vital role and goal on contemporary art.
The development of digital photography greatly helped the parody field that required realistic works. A number of photographers led to flow of the art world as expressing the unrealistic parody world. These works had public interest more than simple curiosity.
참고 자료
윤선영, 패러디 광고의 소비자 선호도 연구, 한양대학교 석사학위 논문, 2002
정광임, 팝아트에 대한 표현연구 :색채를 중심으로, 충남대학교 석사학위논문, 2006
임성택, 디자인차용-빌려온 예술의 정당한 활용, 커뮤니케이션 디자인학연구 38호, 2012
http://navercast.naver.com/contents.nhn?contents_id=6988
http://blog.naver.com/PostView.nhn?blogId=miyu03&logNo=50125683945
http://ko.wikipedia.org/wiki/%ED%8C%9D_%EC%95%84%ED%8A%B8
http://ko.wikipedia.org/wiki/%ED%8C%A8%EB%9F%AC%EB%94%94
http://dic.daum.net/search.do?q=%ED%8C%A8%EB%9F%AC%EB%94%94&dic=kor&search_first=Y