[영화 분석] The Departed - Martin Scorsese (2006)_"The Tragic Hero as Embodied in 'The Departed'"_영문_연세대학교
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- 2019.03.28
- 최종 저작일
- 2018.04
- 7페이지/
MS 워드
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본문내용
The gangster has risen as an unconventional hero of modern American film since the 1930s, when the Great Depression heightened social and economic insecurity (Farrell 14). Though resembling the traditional hero in striving for success, the gangster is fundamentally different as he is neither remarkably good nor just; he chooses to break away from social constrictions and ignore the welfare of others. Accumulating wealth, power, and esteem, the gangster eventually becomes a "tragic hero" subject to downfall, due to a terrible decision often described as a "tragic flaw". Martin Scorsese's The Departed depicts such a character by drawing cinematographic inspiration from two quintessential American crime films from the 1930s, William Wellman's The Public Enemy and Howard Hawk's Scarface. Scorsese’s film weaves a parallel story of two double agents racing to disclose the true identity of each other at the core of opposing institutions.
참고 자료
The Departed. Dir. Martin Scorsese. Warner Bros. Entertainment, 2006. Film.
Farrell, Steven G. "The Irish-America Gangster in Film." The Irish American Cultural Institute. N.p., n.d. Web. 25 Apr. 2014.
The Public Enemy. Dir. William A. Wellman. Warner Bros. Entertainment, 1931. Film.
Scarface. Dir. Howard Hawks and Richard Rosson. Universal Studios, 1932. Film.
Warshow, Robert. "The Gangster as Tragic Hero." Oxford Book of Essays (1948): 581-86.