십이야(The Twelfth Night)2막 내용 분석 보고서

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십이야의 2막 내용을 정리하고 분석한 내용입니다.
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목차

1 . 조 원 안 내

2 . 본 문 내 용

3 . 소 감 문

4 . 발 표 과 정

5 . 참 고 문 헌

본문내용

Act ⅱ. ⅰ ~ ⅲ

SCENE I. The sea-coast.
Enter ANTONIO and SEBASTIAN
ANTONIO
Will you stay no longer? nor will you not that I go with you?

SEBASTIAN
By your patience, no. My stars shine darkly over
me: the malignancy of my fate might perhaps
distemper yours; therefore I shall crave of you your
leave that I may bear my evils alone: it were a bad
recompense for your love, to lay any of them on you.
ANTONIO: Let me yet know of you whither you are bound.

SEBASTIAN
No, sooth, sir: my determinate voyage is mere
extravagancy. But I perceive in you so excellent a
touch of modesty, that you will not extort from me
what I am willing to keep in; therefore it charges
me in manners the rather to express myself. You
must know of me then, Antonio, my name is Sebastian,
which I called Roderigo. My father was that
Sebastian of Messaline, whom I know you have heard
of. He left behind him myself and a sister, both
born in an hour: if the heavens had been pleased,
would we had so ended! but you, sir, altered that;
for some hour before you took me from the breach of
the sea was my sister drowned.

ANTONIO
Alas the day!

SEBASTIAN
A lady, sir, though it was said she much resembled
me, was yet of many accounted beautiful: but,
though I could not with such estimable wonder
overfar believe that, yet thus far I will boldly
publish her; she bore a mind that envy could not but
call fair. She is drowned already, sir, with salt
water, though I seem to drown her remembrance again with more.

참고 자료

십이야에 나타난 동성애적 욕망 김경숙/부산대/1997
십이야에 나타난 사랑의 양상 가톨릭대/2003
십이야의 광대,페스테의 인물특성 연구 동국대/2001
As you like it과 십이야의 비교연구 심금영/이대/1991
십이야에 있어서 Disguise의 의미 신성숙/고려대/1975
해피엔딩에 대한 비극적 위협 <뜻대로 하세요/십이야> 강경호/수원대 2004
As you like it과 십이야에 나타난 셰익스피어의 유토피아적 비젼 서울대/1991
십이야의 집사 말볼리오의 인물 형상화 연구 동국대/2003
셰익스피어의 희극의 아웃사이더들 유세진/연세대/2005