맥락적 해석을 통한 민화(民畵) ｢효제문자도(孝悌文字圖)｣의 이해: 국립민속박물관 ‘점자도·문자도’ 프로그램 분석을 중심으로

서지정보

ㆍ발행기관 : 미술사문화비평학회 ㆍ수록지정보 : 미술사문화비평 / 4권
ㆍ저자명 : 김윤정, 엄정순

목차

Ⅰ. 들어가는 말
Ⅱ. 박물관의 미술품(회화)과 시각장애인
Ⅲ. ‘점자도 문자도’ 프로그램
1. 교재와 교수안
2. 수업 관찰
Ⅳ. ‘점자도·문자도’ 프로그램 분석
1. 맥락적 해석의 활용
2. 맥락적 해석 자료로서 ｢효제문자도｣
Ⅴ. 나가는 말

영어 초록

This article is based on the observation of <Braille Painting·Munja(Character) Painting>, an educational program for the culturally underprivileged people for the first half of 2013 by the National Folk Museum of Korea, and provides observation and analysis of the process how the visually challenged people experience and apprehend traditional art through the museum’s education program that focuses on Hyoje Munjado(character painting), traditional Korean folk painting. The <Braille Painting·Munja(Character) Painting> program helped the attendees with visual disability to learn about the folk painting, Hyoje Munjado, exhibited in the museum, and re-interpret and visualize the meaning of eight characters of Hyo Je Choong Shin Ye Ui Yeom Chi (filial piety, brotherly love, loyalty, sincerity, etiquette, fidelity, integrity, and shame) based on one’s unique experience, and create an art work of their own. This program was distinct as it allowed those with visual disability to learn about the ethics and culture of the Chosun society through the contents of Hyoje Munjado, while at the same time helped them experience the process of art creation by making an art work of one’s own. Hyoje Munjado is a special type of painting in which eight Chinese characters of Hyo Je Choong Shin Ye Ui Yeom Chi, the key ethical virtues of the Chosun society, were written and old sayings and figures are symbolized and drawn into the strokes in the eight Chinese characters. The ethical virtues expressed in the painting are still considered socially important and the program attendees can understand the meaning of the Hyoje Munjado reflected in their life and create their own munjado based on such contextual understanding. The program demonstrates how suitable a contextual understanding from constructivism perspective is in the exhibition and education of museums for the museum visitors with diverse cultural background, knowledge, and environment as well as the visually challenged. Furthermore, the program clearly indicates the effects of a constructivism education that creates a new meaning through a contextual interpretation of experiences in the education for the visually challenged. Although the program started out of an exploration into how to enable those with visual disability experience art, it also appears to be effective in allowing people with rare access to art and history of art experience art in their daily life experience.

참고 자료

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