毛利博物館 소장 한국 유물을 통해 본 初期 朝鮮王朝의 物質文化交流: 大內氏와 毛利氏를 중심으로
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서지정보
ㆍ발행기관 : 한국미술연구소
ㆍ수록지정보 : 美術史論壇 / 35권
ㆍ저자명 : 이상남
ㆍ저자명 : 이상남
영어 초록
The Mōri Museum of Art in Hōfu city, Yamaguchi Prefecture, is well known in Japan for the Collections of the Daimyo Implements. Most of the collections in the Mōri Museum have been handed down from generation to generation as family heirlooms of the Mōri clan. This museum has quite a few so-called Karamono items in the collection, including some Korean objects such as paintings, tea bowls, lacquerwares, seals, and a message from a Joseon King.This article seeks to investigate how the Mōri Museum came to acquire these Korean objects. Investigating existing fragmentary records and provenances on several Korean objects allowed for tracing the possible two routes for how and when the Mōri Museum came to possess the Korean objects. One explanation comes from the record on the Anonymous Flower and Bird Painting , which indicates that Mōri Terumoto (1553-1625) obtained some Korean objects during the Japanese Invasion of Korea in 1592. Another explanation comes from the attached record on the Lacquered case with peony scrolls design in mother-of-pearl inlay. Originally, the group of Korean objects including this box had belonged to the Ōuchi clan, but were taken over by Mōri Motonari (1497-1571) after the Ōuchi collapsed unexpectedly in 1557.
The Ōuchi clan and the Joseon court had an intimate relationship during this period because the Ōuchi clan claimed that its ancestor descended from the Baekje Dynasty’s royal family. According to the records on the Annals of the Joseon Dynasty the Joseon court also gave the Ōuchi clan special treatment and some privileges for official trades. As a result of such a close relationship, trades were frequent between them, and much material culture was exchanged between the Joseon court and the Ōuchi clan. However, only a small amount of artifacts from these frequent exchanges has survived to this day. This paper also seeks to find these extant proofs that demonstrate vigorous exchanges between the Joseon court and the Ōuchi clan by attempts to track down the provenance of some of these Buddhist sculptures, bells, manuscripts, and paintings.