근대기 서화합작품 연구

서지정보

ㆍ발행기관 : 한국미술연구소 ㆍ수록지정보 : 美術史論壇 / 29권
ㆍ저자명 : 양선하

영어 초록

Collaboration is a type of method of creation in Asian art. In the collaborated works of paintings and calligraphy more than two participants should take part in painting or calligraphy with prior information about the joint performance. The participating artists should have equal authority in the creation process.
In the Modern Period, the collaborated works of paintings and calligraphy were frequently produced by some of the best painters. Some of the previous studies offered fragmented information about companionship that was revealed in the collaboration. In this study, through research on the sociocultural aspects of this type of art, the author considered the significance of the collaborated works as art pieces which reflect the social paradigm of an era.
The main purpose of this research is to understand the inheritance of the Elegant Gathering culture, the changes in the method of the creation of art in traditional painting and calligraphy circle, and the intention and formative characteristics of the collaborated works of paintings and calligraphy, especially focusing on the period from the 1890s to 1950s in Korea.
The participants of the collaboration made efforts to succeed the tradition of the Elegant Gathering culture of the Middle Age. At the same time, they were professional painters and calligraphers from the Modern Age perspective. With that reason, the collaborated works of the paintings and calligraphy depended on attendance at the collaboration ceremony. However, later on, the attendance itself did not influence much the production of the collaborated works.
The collaborated works of the paintings and calligraphy are meaningful in the sense that the transformation of painting and calligraphy in the Modern period was reflected in them.

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